At the city dump,
this oily mist makes the day dark as the night that will come soon as
they dig for that last rotten fig or the wormy apple or a maggoty bone.
Their kids are most active; diving here & losing their footing &
sliding in the slime & grunge & carrying off the prized pieces
of gristle & sinew & fat.
Underground.
It seems like underground. The drifter comes to her for solace & a
kiss & she turns away & looks to the floor where a roach scurries
& now
he goes to the man who scratches his leg & bleeds & scratches
his face & bleeds & scratches his arm & his neck & leers
at her but will not speak to him & . . . &
at the shore
it’s another who’s come to lay out her eggs – all two
thousand – cracked, one at a time, until the beach is full &
swimming in eggs &
the tide rises & sweeps away the first row & back they come &
the second & the third goes out & back & all two thousand
yolks & the tide rises & . . . &
she eats her onion,
gnawing through its pale skin, gnawing the bitter & the sweet, the
juicy & the sparse & as she gnaws she drools & bites the air
&
tells the story of being herself & the large size of her breasts &
the too large size of her ass & the size of her long nose without
complaint &
whatever she needs she will have & as she gnaws she talks of what
is expected & how & what she will not & spits & bites
the air & eats . . .& now the eggs are whipped in the waves &
go on to the next life without a life to live & so they will lie in
the froth & foam & bear witness &
the garbage mound is rank & the garbage mound is rancid & the
harvesters shuffle to the beat of their hunger & their fallen pride
& dig & sort & . . . &
even now, no one will speak out & no one will touch the other &
the onion eater sneers & the onion eater jokes & she is not afraid
& will eat another & bites the air & grins.
